It is our intention for the information of our "Oz Soundz Community" to document our planning, design and progress on the building of our Oz Soundz Studios Recording Facility when it commences in 2027. Prior to this we will document and share our processes, successes, failures from its planning and inception through to completion. Just some of the things we need to start thinking about are below in our project process flow and project management.Â
Purpose: Music production, podcasting, post-production, voiceover, etc.
Target users: Personal, commercial (rentals), label-based studio
Business model: Owner-operated, leased, or hybrid
Identify your competition and location
Determine demand, pricing, trends in audio production
SWOT analysis
Estimate costs: Land/lease, construction, gear, labor, permits, legal, insurance
Secure funding:
Self-funded, investors, business loans, grants
Create a detailed business plan:
ROI projections
Operational expenses
Marketing strategy
Monetization (studio time, mixing/mastering, lessons, events)
Criteria:
Zoning laws (commercial/residential)
Sound restrictions
Accessibility for clients
Size requirements (live room, control room, iso booths, lounge, etc.)
Buy vs lease
Architect (with studio experience)
Acoustic engineer
General contractor
Studio consultant (optional but recommended)
Rooms:
Control Room
Live Room
Isolation Booths
Machine Room (for loud gear)
Lounge / Reception / Office / Storage
Sound path planning: Isolation and control of sound transmission
Room dimensions (e.g., "golden ratios")
Soundproofing: Mass, decoupling, damping, sealing
Acoustic treatment:
Bass traps, diffusers, absorbers
RT60 (reverberation time) targets
Clean power lines, isolated ground
HVAC: Quiet ductwork, vibration isolation
Lighting: Avoid fluorescent, include dimmers, install in a way that doesn’t impact sound
Local building codes
Fire safety
Accessibility
Music licensing (if applicable)
Insurance (construction + liabilitys
Double walls / floating floors
Ceiling and floor isolation
Install HVAC, plumbing, wiring
Floating rooms (room-within-room method)
Doors: Sealed, solid core, double entry
Windows: Double/triple-glazed studio glass
Acoustic panels and treatments installed
Cable conduits and access points
Non-parallel walls where possible
Soundproof doors/windows fitted
Computer + DAW
Pro Tools, Logic, Ableton, Cubase, etc.
Audio Interface & Converters
Monitors (speakers)
Nearfield, midfield, subwoofers
Microphones
Dynamic, condenser, ribbon (depending on recording needs)
Preamps, compressors, EQs
Outboard gear (optional)
Control surface or mixing console
Headphones & headphone amps
Cabling, patchbays, DI boxes
Acoustic desks
Monitor stands
Mic stands, pop filters, acoustic dividers
DAW licenses
Plugin bundles (Waves, UAD, FabFilter, iZotope, etc.)
VST instruments
Collaboration/cloud services
Room measurement (e.g., using REW software)
Speaker positioning and tuning
Bass response correction
Acoustic treatment adjustments
Signal flow verification
Latency testing
Ground loop troubleshooting
Redundancy and backups setup
Trial recordings with friends or musicians
Workflow testing and room optimization
Studio name and branding
Website, SEO, social media, business listings
Partner with local artists, labels, podcasters
Portfolio: Demo reels, testimonials
Studio manager / engineers / interns
Booking system (Calendly, Sessionwire, etc.)
Studio policies (cancellation, rescheduling, equipment handling)
Contracts, invoices, NDAs
File delivery systems (Dropbox - We can go more secure than this!!)
Session backups and archiving policy
Gear calibration
Acoustic treatment upkeep
Software updates
HVAC cleaning and service
Add more rooms (B studio, mastering suite)
Host events/workshops
Add remote recording capabilities
Track revenue/expenses
Reinvest in gear or marketing
Explore additional income streams (e.g., merch, training, beat leasing)